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Borders

by The Ursidae

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1.
Send (all) 03:36
Chop it up Let it rupture as it unfolds before you And it fades in transmission, gets lost in the diction of your cranium But every puzzle piece And the thought police Make it dissipate It’s so congregated, it’s scattered and dilated in it’s Euphoria But how, how does it fit together? So float the currents of yesteryear And take it back in a sepia shear Take a look at the saturated sky And unwind in this sensory prize (Voice of memory: Courtesy of MC Dopenicity) And how? How does it fit together? So ride the currents of yesteryear Take it in back in a sepia shear And just gaze to thickening fog And piece it all back, from what still haunts And as it comes to cloud your mind To steal you away, from your reason and rhyme Distorting the now, away from this strive To unwind in your sensory prize
2.
And so we write it, all And please don’t fight it, now Because you never really know Until it’s all gone And you never really know As it all unfolds in Your mind That endless mental space Taking scenes And distorting every shape With such basic things Like the teenaged angst Or the enlightenment Of the college days So many sleepless nights Wondering how you arrived And dreading the simple ties Of this rapid life Well it’s in your head The dark mental cave Taking moments you want to relive But they’re gone, they’re just a print A shadow box of what you’ve left What all you’ve left To use as flint Sequential screenings That capture meanings Of instances we lived in Sequential storing In constant hoarding Randomly recalling the shadows Yourself, in fragments The story’s told back how you want it
3.
In this machine age we dream in machine dreams With our hearts on fire from every single scene And we only like what we follow and share To encapsulate our lives in a distorted size Create your image through a narrow lens Make it just how you want to be seen But only show the sides of yourself that will Fit on a tiny screen And to escape Through a crate Such a skin deep Inflection With the addiction To the frictions Of the mother gate So make your selections now To Scroll and zoom in every direction With it all at your fingertips Placing filters and tags to stew Reactions for a greater fix But is it really connecting? And to escape Through a crate And a skin deep Collection An addiction From the frictions Of the mother gate So make your selections now (But these generational crates They document our lives from youth I’m mean you’ve got everything on there Prom, college, random adventures It makes it feel like it was yesterday it crazy)
4.
Dreaming of gold Reelin’ the old Looking back makes you Feel young again Spanning your stride Across a sentimental view Collecting All the residue To brew And queue to revel A return From your Constant yearn For more So you dream of gold And breaking the mold Old sides don’t let you Unfold to every trite But except you Go on and write And ride Through this machine age With a larger stage Well you’re firing back on cue With your grips in tune And in this erratic page You’re making a coveted cage And you’re taking the bytes Out every single site
5.
To be transported back On Back into That sanctuary From the youthful plights And to periodically visit Every now and again Some nights while I lay As stage four brings me home Or at least to what once was Filling up the walls with all thine fears How many years was that now? I’ve lost count, I’m left with doubt Back to the house Back in the basement With furry faces and a scent of comfort Again and again I return And as I lay there Well I am transported With the vivid images flashing like a marquee So many nights spent pondering Filling up the walls with all thine fears Well how many years was that now? And as I’m holding on dearly I’m attempting to break the maximum And I’m digging up old bones Each night as I toss and turn And I’m casting all my stones On the lake in which I’ve tried to sink
6.
When you catch that feeling That you can’t ignore Your brain starts writing Everything anew And you try to make sense of it In a constant feed A stream of information Caught within the now of You And your fractured psyche Well it’s tough to exhume What you’ve left entombed And what does it mean? It’s bursting at the seams And it’s tough to relate In those instances you dictated in the passing tines Unwinding every side Of you And your fractured psyche And it’s the little moments that are So frightening In tales of all that you’re writing It’s you’re legend Composed as you’re watching Yourself And fractured psyche But it’s the little moments That are so frightening Well it’s tough to exhume Every single little looming Clout that’s thrust Upon me in the dust And it’s tough to elate When all starts to change As slips through your hands It’s the just wind and the sands
7.
Read (then) 00:58
8.
Quietly arriving On a 9am touchdown And I dreamed of being here But still I don’t believe it’s around And I’ve been here twice before Even though I was younger And I know it well, that sound of the bell Up in the old gothic clock tower But I’ve Found it now And I’ve Come back around But on the circle line each coach is so old So catch a cab, off west to Heathrow Go for tea and a square shortbread Then go for pint, and never go to bed
9.
To cross the line On the day before Feeling estranged On down to the core So run, rabbit run Take off on the marathon guns And run rabbit run To where you stay It towers above The sensory glove Holding me inside by stalling Through routine The one two punch, 30 seconds apart Confusion starts in a rapid pace Phone lines jammed, nobody can reach I’m isolated Sirens glare and the blades ring out The city panics, and it shuts on down I’m stuck just sitting and thinking “How close did I come?” And it towers down The gravity of the sound Quick moments fire on by In a flash And this famous town They tried to bound With pressure cookers Shattering the glass of Boylston street So run, rabbit run Take off from the marathon bombs And run, rabbit run Away
10.
Glasgow (13) 03:30
Take all your energy And rearrange (You can’t destroy, nor create it, just merely re-arrange it) Take your suffering And your pain (That never goes away, box it up) In everything... And in everything... Watch the sun frame in its golden glow Watch it set in everything bestowed In the summer it only, it only goes so low High at 9 and at midnight there's a sliver still shown In everything... And in everything... Watching the grid slowly fade away As it's gone and it's never the same To get lost, on your way back home Inside a box as surely you didn't drone Under the grey sky, and the many brownstones I think of you my friend, here in Glasgow
11.
Under the lights, atop the stairs I turn around to greet you And I receive more than I expected More than just a fair Introduction In just a second I was never the same And in that moment We created fame Well Hey there I’ve seen you before somewhere Around And was it a dream? Well I can’t quite place it right now And as the gentle storm grows I have changed Under the stars, around the back We sit at the fire Telling our tales More than anecdotal As we’re getting to know As we form our connection Something that we can’t let go As it grows deeper From beneath the navel Into the soul And in a few hours I am not the same And on that night We set the stage Well hey there I’ve seen you around somewhere Before And Was it a dream? It feels so real to me Now And shall we turn On into gold evermore We find That this is it So long we waited To conjoin Like puzzle pieces And as the gentile storm sets Forever I am changed
12.
Try to recall the colors of fall The New England charm, in the urban sprawl And try to forget all the feelings that Have returned to haunt the soul So come back ‘round from Packard’s Corner with a trampoline inside Just take a stroll, in the cold and quiet Boston night So turn the out lights to try to see the stars Well they may seem large but they are so far And repress your feelings with a shot in the toe Then climb on up four flights in a solitary low From around the bends Coolidge Corner Well you’re, trying to resume And those trains are just sardine cans, cause there’s only standing room Well this was your east cost hipster fantasy And this was your eminent espresso dream So wave the hub goodbye As you speed away on the pike Come back in a while To try and reconcile
13.
Write (now) 00:50
14.
Return (all) 03:42
And as all things must go Such the truth that we uphold And we’re left in a scattered film So dull grainy, yet we distill So Come back from then and come back to now Get on your knees and lightly kiss the ground As every minute ticks are we still alive? They come and go in a flash and we’re left to cry As you realize that time only accelerates And the way feel it changes with the coming of age So come back from then and come back to now Get on your knees a lightly kiss the ground As we’re triggered by sensory moves Creating notions that we imbue But our memory is just a pool That we try for an ocean into

about

A collective look at the concept of memory.

“Borders”
Words and Music by Colin R. Farnsworth
© 2019 CRF Sound LLC. (ASCAP)
Recorded by The Ursidae
℗ 2019 CRF Sound LLC
Distributed by CD Baby


In association with Koncept Jewel

credits

released January 11, 2019

Produced by Colin R. Farnsworth

Engineered by Colin R. Farnsworth and Mike Davis

Mixed by Colin R. Farnsworth and Mike Davis

Mastered by Colin R. Farnsworth



Recorded in 2018 at home studio spaces in Denver and Fort Collins Colorado with additional tracking done at the CU Denver CORE.



Personnel:

All songs performed by The Ursidae

Colin R. Farnsworth: Vocals, Electric Guitars, Acoustic Guitars, Lap Steel Guitar, Bass, Grand Piano, Electric Piano, Rhodes, Synthesizers.

Mike Davis: Drums

Alisa M. Brown: Additional Vocals (Track 11)

MC Dopenicity: Voice of Memory (Track 1)


Field Recordings Done by Colin R. Farnsworth in Denver Colorado.

Tribute to Doni Bulow in track 10.


Artwork by Colin R. Farnsworth

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The Ursidae Colorado

The Ursidae is the indie rock project of Denver-based artist, songwriter, and producer Colin R. Farnsworth. The project draws influence from all of the various styles of Colin's background ranging from classic and modern rock, to jazz, folk, and flamenco.

The songs are written to meditate on memories, places, people, and ideas in an effort to understand how they shape us into who we are.
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